Click on the thumbnails to see a larger image. Production notes can be found at the bottom of the page.

In the field of advertising, when you find a means of connecting with people, you take advantage of it. So considering that my previous blog posting, “Thirty Years of Illustration,” got triple the readership of any of my former posts, I decided to write another article along the same lines—that is, looking back over my career as an illustrator. I promise not to repeat myself (the film Rocky was good and Rocky II was palatable, but then Sly made the disasters Rocky III, IV and V). Read the rest of this entry »

Click on the thumbnails to see a larger image. Production notes can be found at the bottom of the page.

When I was in graduate school in the mid-1970s, I began illustrating to supplement my poverty-level student income. Because of my fine arts background I moonlighted as a magazine illustrator—secretly, since we fine arts students thought creating commercial artwork was prostitution. Even though we studied art history, somehow we missed the fact that all the greatest artists from Leonardo to Velasquez were, in effect, commercial artists working for paying patrons (usually the church or rich noblemen). After graduation and a few years of living abroad, I decided to become an illustrator full-time. Needing to earn a living trumped my grad school snootiness. Read the rest of this entry »